| Title | Released | Cinema | Notes | | | | | | ? | 1884 | | 65mm | | Paperfilm | 1888 | | 54mm | | ? | 1985 | | 50mm | | Demney Chronophotographe | 1893-1896 | | 60mm | | American Mutoscope and Biograph Co. | 14.09.1896 | | 62mm. More than a 1000 titles were filmed | | Footage of Henley Regatta (S) | 1896 | | 70mm, AR 1,33:1 | | Veriscope camera made to film the "Corbett-Fitzsimmons Sparring Contest" | 1897 | | Photographed March 17, 1897 in Carson City, Nevada, USA on 63mm Eastman film. Veriscope camera by Enoch J Rector.
| | Viventoscope of Blair | 1900 | | 48mm. World Exhibition in Paris, France | | Georges Demeny-Gaumont and Prestwich | 1895/1900 | | 60mm. World Exhibition in Paris, France | | Biograph | 1900 | | 68mm | | Cinčorama | 1900 | | 70mm. World Exhibition in Paris, France | | Wide Film | 1900 | | 75mm Brothers Lumiere. World Exhibition in Paris, France | | Il Sacco Di Roma (P) | 1923 | | 70mm Panoramico Albernini | | Widescope | 07.11.1926 | Cameo, NYC, USA | 57mm. Developed over several years by George W. Bingham and Mr. John Elms. Same source claim camera was 5/70mm . Image was split for 2x35mm side by side projection. | | You're In The Army Now (Paramount) (S) | 18.07.1929 | Rivoli, NYC, USA | 56mm Magnafilm. Two reel short. Trade showing only. Project abandoned. | | Thomas Color Process | 1942 | | 65mm. Believed to have used Fearless Superfilm cameras later redesigned to Todd-AO
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Assistant contributors on some large format lists includes Michael Coate, David Coles, Jeffrey L. Johnson, Scott Marshall, Tak Miagishima, Rick Mitchell, Dan Scherlock, Richard Vetter and Ingolf Vonau.
Based on material found in many sources, including trade papers, Variety, Wide Screen Movies (Robert E. Carr & R. Michael Hayes) and Four Aspects of The Film (James L Limbacher)
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