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Visit biografmuseet.dk about Danish cinemas
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70mm movies of Charlton Heston
4 October 1924 - 5 April 2008
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Read more
at
in70mm.com
The 70mm Newsletter
|
Written
by: Rick Mitchell,
Hollywood, USA |
Date:
11.04.2008 |
"Ben
Hur", London, England
If there was one actor who symbolized the 70mm roadshow era of the
Fifties and Sixties, it was Charlton Heston. He appeared in three 65mm
productions, "BEN-HUR", "THE GREATEST STORY EVER TOLD", and
"KHARTOUM", all in
Camera 65/Ultra Panavision, a record for any star.
A single Todd-AO feature; "The Agony and the Ecstasy" (1965). Two of his three
Technirama films,
"EL CID" and "55 DAYS AT PEKING", were roadshown with 70mm
prints, though only the first was so presented in the United States. And
there were even two 70mm blowups of his VistaVision shot
"THE TEN
COMMANDMENTS", one in England in 1968 and another shown in the United
States in 1990.
Heston seemed uniquely suited for these types of films. In an interview,
he was quoted as saying that "his was not a 20th Century face", but that
was applicable to his entire screen persona. I haven't seen many of his
contemporary Fifties films recently, but my recollection is that he
seemed awkwardly anachronistic in most of them, even westerns like "THE
BIG COUNTRY". But no American actor seemed more at home in films set
earlier, including his Andrew Jackson in "THE PRESIDENT'S LADY" and
"THE
BUCCANEER". His historical characters seemed to be both of the time of
the film and timeless in a way that many British actors would also come
off as contemporaneously British even when playing ancient Romans.
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More
in 70mm reading:
Who is Rick Mitchell?
Internet link:
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"Ben
Hur", Denmark
At the same time, Heston was able to consistently do something very few
actors of the past could, and no contemporary actors can: play
believably noble, even saintly characters. His Moses has long been the
stuff of jokes (of which Heston himself was reportedly guilty: after a
dinner at his home he said he was going out to the swimming pool to part
the waters), but a close study of the film does not reveal any campiness
in his performance. Instead, there is a dignity, authority, and
sincerity of belief that many evangelical preachers would envy. And this
quality also informs his Ben-Hur, Cid, and even his Chinese Gordon in
"KHARTOUM". To me, the only other actor who came close to this was Michael Rennie in
"THE DAY THE EARTH STOOD STILL", "THE ROBE", and "DEMETRIUS AND THE
GLADIATORS".
As we well know, such films and such roles went out of fashion in the
mid-Sixties, partially rendered ludicrous by the Italian "sword 'n'
sandalers" of the early Sixties, and Heston increasingly became the
victim of an image he couldn't overcome. He seemed out-of-place, even
slumming in most of the films he made in his films of the Seventies and
Eighties, especially contemporary ones like "EARTHQUAKE" and "AIRPORT 1975".
And he never really showed, or was allowed to show, a humorous side to
his screen persona, as John Wayne did as far back as "THE BIG TRAIL" and
really played off during the last 15 years of his career. It was really
too late for Heston to start sending up his career the way his
contemporaries Kirk Douglas and Burt Lancaster had been doing since
they'd become stars.
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"Ben
Hur", London, England
The exception to all this is reportedly his favorite of all his films,
"WILL PENNY", in which he used his saintly quality in a minimalist way to
play a simple, ignorant cowboy in the last days of the West. His scenes
with Joan Hackett touchingly convey the awkwardness of a man dealing
with what he sees as a good, decent woman when he's used only to dealing
with prostitutes.
I only saw Heston in person once, in 1974 when I was working at
Universal and he was doing "EARTHQUAKE". One of my jokes about him was
that he carried his own key light, and as I saw him come into the
commissary, the light happened to be such that it appeared he really
did!
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"Ben
Hur", Sweden |
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"El
Cid", Denmark |
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"El
Cid", France |
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"55
Days at Peking" |
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"55
Days at Peking", Denmark |
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"55
Days at Peking", Stockholm, Sweden |
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"55
Days at Peking", Schauburg, Karlsruhe, Germany |
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"The
Agony and the Ecstasy", Denmark |
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"The
Agony and the Ecstasy", France. |
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"Khartoum",
London, England |
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"Earthquake",
3 Falke Bio, Denmark |
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"Hamlet"
Paris, France |
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"Hamlet",
Dayton Ohio |
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