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in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas
as remembered by the people who worked with the films. Both during
making and during running the films in projection rooms and as the
audience, looking at the curved screen.
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Visit biografmuseet.dk about Danish cinemas
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“Octopussy”:
The 70mm Engagements
“James Bond’s all time high.” |
Read more at in70mm.com The 70mm Newsletter
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Compiled by: Michael Coate |
Date:
02.03.2016 |
The
following is a reference / historical listing of the 70-millimeter
presentations of “Octopussy” in North America. The film’s 70mm prints
consisted of full-frame imagery blown up from anamorphic 35mm photography.
The audio was Six-Track Dolby Stereo (“A” encoded “baby boom” format). These
were arguably the best cinemas in which to experience this film.
“Octopussy” was among thirteen confirmed first-run films released in 1983
with 70mm prints for selected engagements. The Eon/Danjaq production and
MGM/UA release — directed by John Glen and starring Roger Moore and Maud
Adams — opened June 10th.
“Octopussy” is the only confirmed Eon-produced James Bond movie released
with 70mm prints in North America.
The film’s world premiere was held June 6th at the Odeon Leicester Square in
London. The U.S. premiere was held June 9th at the National in New York
while the U.S. west coast premiere was held June 9th at the Samuel Goldwyn
in Beverly Hills.
Trailers for “Brainstorm” and “Strange Brew” circulated with the “Octopussy”
prints and which the distributor recommended be screened with the
presentation.
The duration of the engagements (measured in weeks) has for some entries
been included in parenthesis following the cinema name.
Note that some of the presentations included in this listing were presented
in 35mm during the latter week(s) of engagement due to print damage and the
distributor’s unwillingness to supply a 70mm replacement print or because
the booking was moved to a smaller, 35mm-only auditorium within a multiplex.
As well, the reverse may have been true in some cases whereas a booking
began with a 35mm print because the lab was unable to complete the 70mm
print order in time for an opening-day delivery or the exhibitor negotiated
a mid-run format switch to 70mm. In these cases, the 35mm portion of the
engagement has been included in the duration figure.
BRITISH COLUMBIA
Vancouver — Famous Players’ Denman Place (9)
CALIFORNIA
La Mesa — Pacific’s Cinema Grossmont (14)
Los Angeles — General Cinema’s Avco Center Triplex (8)
Los Angeles — SRO’s Paramount (7)
San Jose — Syufy’s Century 24 Twin
MASSACHUSETTS
Boston — Sack’s Cheri Triplex (7)
NEW YORK
New York — RKO Century’s National Twin
New York — Walter Reade’s Bay
Valley Stream — Redstone’s Sunrise 8-plex
Woodbury — UA’s Cinema 150
ONTARIO
Toronto — Famous Players’ Eglinton (16)
QUEBEC
Montreal — United’s York (11)
SUBSEQUENT 70MM ENGAGEMENTS & SCREENINGS
1983-08-19 … Vancouver, BC — Famous Players’ Stanley (1)
1983-08-26 … Cleveland, OH — Colony (1)
1983-10-14 … Calgary, AB — Odeon’s Northill (1)
1984-01-18 … Toronto, ON — Cinesphere (5 days) [70mm fest]
The information in this article was principally referenced from film
industry trade publications and regional newspaper promotion, with thanks to
Bill Kretzel.
Additional 70mm prints were screened internationally but have not been
accounted for in this article.
This information has been principally referenced from film industry trade
publications and regional newspaper promotion. Any move-over,
subsequent-run, re-release, and
international
engagements have not been accounted for in this article.
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More in 70mm reading:
70mm Engagements
70mm Blow Up List
1983 - by in70mm.com
Internet link:
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21-01-24 |
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